Caleb Richards | Works
Transcendence (2023) | Electroacoustic
Musique concrete created through the manipulation of sounds produced by Tibetan singing bowls
Bhairav for Electronics (2023) | Electroacoustic
Musique concrete created through the electronic manipulation of sounds recorded from a performance of Raag Bhairav on the sitar
Viri Galilaei (2024) | SATB (with Soprano Solo) Choir
A choral setting of a traditional ascension day introit text, written for Graham Walker and St John’s Voices
Morning Raga (2024) | for Sitar and Electronics
A work for sitar and an ambient sonic background created by live and pre-recorded electronics
Seasons Suite (2024) | for Solo Cor Anglais
A short work for solo Cor Anglais in four movements, each depicting a season of the year
448 (2024) | for Singing Bowl and Chamber Ensemble
A spectral work for Tibetan Singing Bowl, Harp and String Quartet
Part of the 2025 electro//acoustic day at the Cambridge University Faculty of Music, a work of musique concrete forming part of a collaboration with the Cambridge School of Visual and Performing Arts.
Entangling (2025) | Electroacoustic
A sonic representation of the medina of Marrakech, Morocco, taking inspiration from the early morning sonic stasis that the city experiences.
Medina (2025) | for Piano Quintet
All works listed above are protected by copyright. The unlicensed performance or sharing of any of these works is illegal, and will result in prosecution. Such licenses can be purchased by getting in touch directly. The right of Caleb Richards to be acknowledged in all performances and/or recordings of the above works as their sole composer is hereby asserted.